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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Download includes 20 page PDF Booklet
    Purchasable with gift card

      £7 GBP  or more

     

  • Compact Disc in 6 Panel Card Sleeve + 12 Page Booklet
    Compact Disc (CD) + Digital Album

    Comes in 6 Panel Card Sleeve with 12 page Full colour booklet with lyrics and notes.

    Includes unlimited streaming of Retour via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Glimmer 02:33
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Let them in 03:33
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Kate 03:33
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Sweet 04:52
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Amazed 05:15
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about

"A mainstream rock record from 1991 that was never released", and by today's standards sounds positively avant-garde. Read on

In 1984 I released a compilation LP on the original Glass Records label, called ‘Shadow & Substance (The Wonderful World Of Glass Vol. 2)’, intended to show the label as part of, or at least allied with, the UK/US International Pop Underworld of the day. Alongside tracks by Half Japanese, Cheri Knight & Bruce Pavitt (of Sub Pop, which at that time was a cassette fanzine type thing), sat ‘Nothing But Happiness’ & ‘King Of Culture’, two connected ‘groups’ that I heard, and indeed met in Manhattan’s Lower East Side, through Pam Weiner of Green Records, from Tampa Bay FLA. I used to write to labels or bands I had seen reviewed in Option Magazine back in those days, exchanging discs or tapes with them, which is how I connected with Bruce, Calvin Johnson, Jad Fair and Pam. Cut to: 30+ years later, Glass Records is ressurrected as Glass Redux, to give me something to do in my old age, and I spot David Bowman on Facebook. Next thing you know he’s telling me about the unfinished 2nd NBH LP from 1991, goes off to Seattle to finish it, sends it to me, I love it, and here we are, closing the circle and maybe drawing a new one up.

David Barker - Glass Records Redux

credits

released June 23, 2017

What is ‘Retour’? It is a mainstream rock record from 1991 that was never released. In other words: an anachronism and a paradox. The 40-minute 2-sided rock LP is long gone. I don’t live in the past and could care less about what that means for pop music. But ‘Retour’ is a work conceived for that defunct format: it is made to be listened to from beginning to end, it has that ‘two-act’ format that served pop music so well for years: two sides with different feels that only make sense heard together, complete with side-openers and side-closers. Great art thrives on limitations – the novel and the 90 minute feature film are parallels.

In any case, ‘Retour’ has turned out exactly as I wanted. I think it’s a great album. More often than not, when asked why somebody made a record or started a band, they will reply ‘I did it to make the album I want to listen to but could never find.’ So that’s why I did it. I hadn’t heard these songs for twenty years or so, they might as well be the work of a stranger. So I can say, without being an obnoxious egoist – there are enough of those in this field already – that this record is a lost masterpiece from a great era of recorded music.

David Bowman NBH

Audio Restoration and Mastering by Mell Dettmer, Studio Soli, Seattle 2016

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Glass Redux London, UK

Glass Records Resurrected for all you F***ed Up Rock'n'Rollers with one foot in the grave.

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